

Dawn from the Semicolon
4 songs · 14 min
Des envolées et du réconfort comme l'aurore après une nuit sombre.
Bohns
Music is my most intuitive way of expressing what words can't hold. I compose and switch instruments across rock, folk, cinematic, electronic, rap, and experimental textures.

Je recycle les paroles de Wait for the Sun pour un morceau beaucoup plus rock bercé par une mélodie nostalgique et bousculé par un solo de 32 mesures.

Un écrin de douceur réconfortant pour toutes celles et ceux qui frissonnent dans la brume du spleen des feuilles d'automne.

The original theme of a futur story. Certainly musically and narratively inspired by the Loki and Silo series. With epic cross breedings between symphonic and synthesized sought from Sarah Shachner for Assassin's Creed (Origins & Valhalla), Daniel Pemberton for Guy Ritchie (King Arthur) or Woodkid (in general and particularly for Arcane). Strange borrowings from Guillermo del Toro's original soundtracks. Alternative and post-rock influences such as This Night (by Black Lab), Eternally Missed (by Muse) or even Inhale/Exhale (by Aurora, surprise). And the ultimate Rosemary reference goes to Shakespeare, for the name and for the concept.

As in The Diplomat, from which the lyrics are explicitly inspired, this song explores the emotional divide endured within a relationship of control, suspended between attachment and suffocation, dependence and alienation. This intimate violence appears not as an exception, but as a mirror of the structures of domination that shape society as a whole, extending even to the relations between nations and empires.

A tribute to someone who came before me and left a lasting mark on my life.


4 songs · 14 min
Des envolées et du réconfort comme l'aurore après une nuit sombre.


3 songs · 13 min
Une expédition introspective pour exorciser mes démons et blessures.


3 songs · 12 min
Une constellation de pièces instrumentales au piano et célesta.


3 songs · 12 min
Un cortège d'écrits et de cris critiques, politiques et contestataires.


4 songs · 18 min
80HN5 = ['electro', 'synthwave', 'trip hop', 'french touch']


2 songs · 7 min
Les trois morceaux de mon groupe du lycée avec Elliot et Théophile.


3 songs
Pièces et fragments symphoniques composés entre 2014 et 2016

The original theme of a futur story. Certainly musically and narratively inspired by the Loki and Silo series. With epic cross breedings between symphonic and synthesized sought from Sarah Shachner for Assassin's Creed (Origins & Valhalla), Daniel Pemberton for Guy Ritchie (King Arthur) or Woodkid (in general and particularly for Arcane). Strange borrowings from Guillermo del Toro's original soundtracks. Alternative and post-rock influences such as This Night (by Black Lab), Eternally Missed (by Muse) or even Inhale/Exhale (by Aurora, surprise). And the ultimate Rosemary reference goes to Shakespeare, for the name and for the concept.

Je, tu, nous. Une invitation individuelle et collective à envoyer chier en toute poésie le prêt-à-penser qu'on nous inflige, qu'on s'inflige entre-nous et à nous-mêmes.

Une échappée instrumentale de post-rock atmosphérique.

A triple mashup of “Running Up That Hill” (Kate Bush), the Stranger Things theme (Kyle Dixon & Michael Stein), and a touch of “Everybody Wants to Rule the World” (Tears for Fears). Conceived for unplugged instrumentation (piano, guitar, organ, celesta, drums) and vocal polyphony, it deliberately avoids the synthwave textures typically associated with Stranger Things.